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      She kept a tight
      Leash on him.
      Pulling harder
      when he strayed.

      They walked through
      The park
      With the same, clipped
      Brisk gait,
      Their eyes squarely
      On the well-worn path.

      Coming home
      To the tasteful,
      Well-appointed living room—
      And he knew his place,
      Scurrying to his usual corner.

      She knew then
      That they would be
      Ready to marry
      Soon.


      ~ “Training Her Pet”


A true poet not only sees Divinity in the mundane, but is able to make others see it too. That's exactly what Doug Holder accomplishes with The Man in the Booth in the Midtown Tunnel (Cervená Barva Press, 2008), an extraordinary collection of poems about regular people caught in the act of being fascinating. With humor and compassion Holder presents their stories one by one until you begin to feel as if you are at a party. In a psych ward. And guests wander by, spewing words of wisdom or insanity, and their chaotic thoughts sound uncannily like your own. From the dying man's last request for a hotdog to the colonial woman at the Au Bon Pain to Holder's own niece with her uninhibited breastfeeding policy, you'll meet all the unforgettable people in his life, and like him, will appreciate the humble nobility of their Sacred Process.

Doug Holder's poetry and prose has appeared in The Boston Globe Magazine, Rattle, Café Review, the new renaissance, Poesy, Home Planet News, Main Street Rag, Caesura, Quercus Review, Illyia's Honey, Istanbul Library Review, Dudley Review (Harvard University) Sahara, Northeast Corridor and many others. He is the founder of the Ibbetson Street Press of Somerville, Mass, the cofounder of the Somerville New Writer's Festival, the curator of the Newton Free library Poetry Series, book review editor of the Wilderness House Literary Review, arts editor for The Somerville News, and the Boston editor for Poesy. He also teaches writing at Endicott College in Beverly, Mass. and Bunker Hill Community College in Boston.





    The Whole Enchilada
    by Ed Miller
    Published by Cervená Barva Press


...but you can't smoke in coffee shops
like you could in the old days
and you can't rub out the past
like a butt in an ashtray.

     ~ “Appraisal”



When confronted by a title like The Whole Enchilada you don't know what to expect, and the cover's mysterious and smudged skull offers no clues. With a tabula rasa, I read the first poem, and simply wasn't prepared for the onslaught of rueful wisdom delivered by this earnestly down and out poet. Miller's wry observances of ordinary events—the drawer so stuffed with memories that you need to wrestle it open, the plain and yet somehow appealing girl in the car outside your office window, and the grim napkin summary of a life decidedly not well spent—amuse, bring pain, cut to the quick. No wonder this chap won the Cervená Barva Press Chapbook Prize! I consider it one of the best chaps I've ever read. And trust me when I say I've read about a million!

Take the shopping cart and start the trip.
Did you bring your list? You need your list.
This is the Shopping Mall of the World.
All sales are final. We prosecute shoplifters.
Ask a Sales Associate for details. We thank you
For your patronage. Our friendly staff is here to serve you.
Truckers welcome. Buses welcome. Everybody's welcome.
If for any reason you are dissatisfied with our service,
Please ask to see a Sales Associate. As the Sales Associate
To explain our easy payment plan. Ask the Sales Associate
To describe the Seven Heavenly Manifestations of the Eternal Godhead.
Ask the Sales Associate to unriddle the coefficient of pi.
Ask the Sales Associate to make you some cookies.

~ “The Whole Enchilada”







  Novas
  by Ryan Flaherty
  Published by Bateau Press








Chaos, confusion and despair meet fantasy, imagination and introspection in Ryan Flaherty's Novas. His elegant writing style and unique slant on life can best be summed up by a line from the book itself. It's "A series of events lined up on the table and wrapped in language." It's all that, but it's so much more. Edgy, moody—not your ordinary chapbook. A must read!

A story is falling apart in the dull one's mouth.
It is sandstone, alluvial, the taste of old machinery,
a toddler falling into either an ocean or his mother.
The last thing anyone wants is one more new spun story.
"The chicken coop started out as a playpen for the children,
but they all died, moved away, became unforgivably literal.
They didn't plant one garden or invent one new engine."
The likeness that holds the sandstone together is lacing
into me. Accidents are falling apart in my mouth.

~ Excerpt from Nova 1

Ryan lives in Dover, NH. His chapbook Live, from the Delay, is available from Small Fires Press. His poems have appeared in a range of journals including Denver Quarterly, Conduit, the New Republic, and Columbia.






  Omnivore
  by Allan Peterson
  Published by Bateau Press









Life, death, birth, imperfection. Omnivore, by Allan Peterson, addresses all of these and more. Not to remind us that life is hard or that we are flawed. On the contrary! Omnivore assures us that in the midst of life's hardships, in the center of our pain, in the depths of our sadness, all is perfect. The Universe goes on. A beautiful little book, filled with the promise of hope on the horizon.



All of the present was prehistory and all of history
was stone hardening, hearing nothing but the artificial
stasis we take for undersanding, the perfect rose
unopened, silver untarnished, an entire room
or ocean reappearing in water drops
Stand back far enough and we are cratered like the moon
pocked as if saucers had been dropped
But the planet had softened the outlines with ferns
and holly and wild allamanda, mosses and they sank
among them as silent as G in sovereign

~ How the Craters Disappeared

Allan Peterson's work appears widely in print and online literary journals. He has published two award winning full length poetry collections and five chapbooks. Honors include fellowships from the National Endowment for the Arts and the State of Florida and ten nominations for Pushcart Prizes, along with a variety of poetry prizes and anthology inclusions.

Visit his website www.allanpeterson.net






  Pacing the Moon
  by Sandy Green
  Published by Flutter Press

“...then the future shifted
behind me
and I didn't notice
that my best friend had moved out of town
and my husband went along for the ride.”
      ~ What Happens to Busy People



Marvin Gaye sang There's always one who loves more than the other, and Sandy Green absolutely nails this theme in her first chapbook, Pacing the Moon. Beautifully presented by Flutter Press and startling in its imagery, this richly-textured collection is full of painful insights into humans at the height of our vulnerability.


In the ballet Les Sylphides,
the poet gets to hold hands with two girls
and neither one seems to mind the other,
so he doesn't think you would either—
He wanders around as if he's in a dream
because most of the time
he is
and when he's awake
his eyes are half-opened
or half-closed
depending on your point of view;

He'll stand and support you
when he's not busy showing off
and look at you with bedroom eyes,
but that might mean he's about to fall asleep
again;

At the end of the day—
or the ballet,
he still has two girls draped on his shoulders.
How nice for him,
but is that what you really want?

~ “Why He Wants to be the Poet from Les Sylphides in Your Life”


Sandy Green, a poet and children's author, has been writing fiction since 2004. Her work has appeared in Victorian Violet Press, Stories for Children, Grey Sparrow Journal, Ibbetson Street Press, Monongahela Riview, and anthologies including Chicken Soup for the Child's Soul. She was a 2008 nominee for Best of the Net and won honorable mention in Robert Brewer's Writer's Digest Poetic Asides Chapbook Contest. She lives in northern Virginia with her husband and two children. Visit her at www.SandyGreen.webs.com.






  Rappelling Blue Light
  by Laura Rodley
  Published by Finishing Line Press


       “There are no maps in the
              love compartment,
       just your breath upon mine,
     your eyes resting on my hair.”
                ~ Iridescent



From Pushcart Prize nominee Laura Rodley comes this exquisite collection of poetry. Here minnows trust the sky to bring them gnats, a young woman takes an impromptu road trip to Michigan financed by asparagus-picking money, a dearly-loved ancient dog noses the footprints of raccoons, turtles cross a busy highway to lay eggs, and a close friend loses her hair during chemo. In short, Rappelling Blue Light is about all the most sacred aspects of living, and the importance of observing, experiencing, and being. Perhaps the words “stunning” and “elegant” are overused; but perhaps they are not strong enough to describe Rodley's work.




“I lift to your lips
water, the circle of our lives.
I hold to your lips
the answer to your prayer:
Drink this, if you can,
swallow this, if you can.
I lift to your lips
a milkshake.
I lift to your lips
the straw you suck to finish the glass.
I do not know
if in five minutes you
will bring all this up
out of your body.
I do not know if right now
you will choke
and I will have to watch
your life leave in blueness
if you cannot catch your breath;
you are on DNR orders,
I could not breathe my life
into your lips to save you.
I could only call an ambulance,
hold you while you shudder,
your lungs filling with
your body's waves.”


~ Caregiver


Laura Rodley's poetry has appeared in the anthologies Crossing Paths, 911 Peace Project, Anthology of New England Writers, and in the journals Massachusetts Review, Sanctuary, The National Audubon Magazine, Boston Literary Magazine, and Quick Fiction, and has been read on WHMP, KVMR, 89.5 FM radio in Nevada City, California, and NPR-affiliated station WAMC in Albany. She is a freelance writer and photographer.






  After Voices
  by Jane Rosenberg LaForge
  Published by Burning Rive

     “No generation can know itself
           if its greatness is too soon
                        detected.”

             ~ Highway 5 Stockyard


In 2003 Jane Rosenberg LaForge's father was diagnosed with throat cancer, and her rueful recollections of a voice that wasn't just loud “but voluminous, plunging through a room with all the aplomb of a rock hurled toward a window” inspire us to re-learn with her the seeds of language, the origin of human sound, the words poets have left behind, and especially “the stuff that comes before words.” From nighttime radio shows where deejays held séances for Jim Morrison to stockyards where the cows went on forever, this beautifully-brilliant book is ablaze with savvy, style, and tender insights.




“I am not acting now. I am even wearing my glasses.
I want to die, not to be famous or even dead, but for the view,
to see the salt and claw of the shore below,
the mucus and terror I know live in your lungs,
to fling them into the watter. There is no other way
to measure you beside the sinuous line, to re-trace
your footprints that dissolved in the muddy luster.
A legend will last only as long as the film stock,
or perhaps only as long as the Library of Congress.”


~ From the Palisades


Jane Rosenberg LaForge's work has appeared in Ottawa Arts Review, Makeout Creek, Bateau, and La Petite Zine. Raised in Los Angeles, she now lives in New York City with her husband and daughter.



      

A Change of Pace (2007)
Natural Instincts (2008)
by Emily Scudder

Finishing Line Press,
Publishers

It's not just that I can smell the salty ocean air and hear the gentle waves whooosh...shooooo on the shore when I read Emily Scudder's poetry... it's that I find myself transported to a place of closely-examined ennui, dissatisfaction, and desperation for just one hour alone - you know, the mental activities we all engage in but don't have the guts to 'fess up to? Scudder's writing is so honest, so relatable, so likable, dammit! I just want to hang out with her! But at the same time, this is a masterful poet who loves her husband and children, and who possesses an enviable, nearly Zen-like connection with Nature... a woman who appreciates the small, sacred moments of each day:

     If you leave a soda can on the lawn
     bees begin to hover. They know to come.

     Ants lift a blue chip.

     A hamster eats her gummy stillborn, more
     protein than progeny now.

     Like the tree knows when to fork itself.

     Nature rivets. Screws me into dramas
     in the kitchen, past the yard.

     Behind the house a black snake tried
     to swallow a brown frog. It gave up.

     Slithered to the brush.

     Gleaming in snake spit, the huge frog
     sat, stunned in the sun.

     10 whales washed up.
     8 bottle-nosed dolphins too.

     Volunteers came quickly. They found
     some alive & picked at. The gulls did it.

     On stretchers, the dolphins clicked & clicked.

     ~ "Natural Instincts"

A resident of Cambridge, MA, Emily Scudder's poems have appeared in Agni Online, 2River.org, Pinyon, Blue Ocean Institute Sea Stories, Jabberwock Review, and Mochila Review, and have been included in World of Water, World of Sand: A Cap Cod Collection of Poetry, Fiction, and Memoir (Cape Cod Literary Press.) Her chapbook review blog can be found at: www.fiddlercrabreview.com and copies of both books can be purchased at Amazon.com.






Object of Desire
by Carol Lynn Grellas

Finishing Line Press, 2009.






The most noble emotion is love, of course. But where there is love, there is pain, and nowhere is this more evident than in Object of Desire by Carol Lynn Grellas. As stylish and sophisticated as the beauty who adorns the cover, this collection presents with warmth and grace each sacred moment of being alive—the blessings, the losses, the haunting image of an opportunistic fly loitering on the slack jaw of your beloved pet.

Woven throughout is the story of a woman grieving for her mother; spending the first New Year's eve without her, waiting for an epiphany / or message sent by an archangel / telling us she's arrived at her destination. For me, the most powerful poem is “An Unexpected Toast,” which I have yet to read without choking back tears:

      For the women who came before me
      with a tipple of champagne I'll click
      my glass against the crystal sky...

      To—
      My Mother-in-law
      Who in the middle of her stroke
      grinned while she snuck a couple of grapes
      off the coffee table, then sprawled
      along the celadon sofa like Cleopatra
      without the Egyptian gown.

     To—
      My Grandmother
      Who danced The Hukilau after returning
      from a cruise to the Hawaiian islands,
      wrapped in her flame retardant grass skirt
      barely moving her hips in a figure eight
      due to severe arthritis.

     To—
      My Aunt Ida
      Who died from barren nest syndrome
      after a lifetime deprived of being
      with child, yet gave us everything
      imaginable till her heart exploded,
      from holding too much love.

     To—
      My Mother
      Who had the grace of a saint
      yet depleted of hope
      through her miserable illness.
      Who while her body was ravaged
      by an insufferable disease, mustered
      enough strength to write in chicken scratch:

      This is a wonderful day.

The fourth time I read this poem it was to my mother, and I know we were both thinking of the other emotion that goes with love—gratitude. Mine is profound, and I thank Carol Lynn for the reminder.

To purchase a copy of Object of Desire, please go to Amazon.com.






Pack Your Bags
by Steve Meador

Pudding House Publications.







As incredible as it seems, I didn't even know what a chapbook was when I first started this magazine. Then one of my favorite poets and our first Writer In the Spotlight Steve Meador sent me a copy of Pack Your Bags. I was so enchanted by the format and his presentation that a few months later I started a chapbook publishing company.

From extreme poverty and a first theft to throwing a cat off the roof to see if it would really land on its feet (it did!) Meador brings us on a sweetly-nostalgic trip back to 1950s America. But growing up wasn't always carefree, and Meador also tells tales of whippings from a drunken father and the devastating effects of Agent Orange. Masterfully depicting high drama as seen through young but wise eyes, he succeeds in reminding us of our own childhood days, where the sight of a menstrual pad evoked a blend of curiosity and horror, and a miracle could be found as close by as next door:

      I was so out of breath
      that I was bent over gasping.
      Barely had the strength to pound on the window,
      in the Savannah heat,
      but this was The Miracle,
      The Sighting,
      The Resurrection,
      and somebody else had to know.
      "Teddy, you have to come out. Teddy!"
      Eyes and ears appeared beyond the screen.
      "It's Daniel Boone. Honest to God.
      Get the needle and punch out my eyes!
      It's the truth."
      The screen door slammed,
      almost before my last raspy sentence flashed out.
      We ran, Teddy in underwear and both barefooted,
      over the burrs, stickers, acorns and ants,
      to the edge of our lot.
      He was still there.
      Buckskin jacket, coonskin cap, rifle cradled through his arm
      and us with chin scraping in the red clay.
      "I'm Daniel Boone," he said for the second time that morning.
      He really was.
      He bought the lot, chopped the trees and built a house
      from fiberglass panels,
      the rippled kind that you put over a patio.
      He killed snakes, hunted and cooked "various critters,"
      and shot vaseline-coated batteries from a pipe with a
      cherry bomb.
      Didn't matter if he hadn't wrestled a bear,
      or fought with Indians,
      or lead a pack of pioneers through the neighborhood,
      we still lived next door to a man named Daniel Boone.

         ~ "Meeting Daniel Boone"

Pack Your Bags, and Meador's other chapbook, A Good Sharp Knife, were released by Pudding House in 2007. His first full-length book, Throwing Percy from the Cherry Tree, was entered by the publisher, D-N Publishing, for a 2009 National Book Award and Pulitzer Prize for Poetry. All can be purchased at hangingmossjournal.com.








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