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She kept a tight Leash on him. Pulling harder when he strayed. They walked through The park With the same, clipped Brisk gait, Their eyes squarely On the well-worn path. Coming home To the tasteful, Well-appointed living room— And he knew his place, Scurrying to his usual corner. She knew then That they would be Ready to marry Soon. ~ “Training Her Pet” A true poet not only sees Divinity in the mundane, but is able to make others see it too. That's exactly what Doug Holder accomplishes with The Man in the Booth in the Midtown Tunnel (Cervená Barva Press, 2008), an extraordinary collection of poems about regular people caught in the act of being fascinating. With humor and compassion Holder presents their stories one by one until you begin to feel as if you are at a party. In a psych ward. And guests wander by, spewing words of wisdom or insanity, and their chaotic thoughts sound uncannily like your own. From the dying man's last request for a hotdog to the colonial woman at the Au Bon Pain to Holder's own niece with her uninhibited breastfeeding policy, you'll meet all the unforgettable people in his life, and like him, will appreciate the humble nobility of their Sacred Process. Doug Holder's poetry and prose has appeared in The Boston Globe Magazine, Rattle, Café Review, the new renaissance, Poesy, Home Planet News, Main Street Rag, Caesura, Quercus Review, Illyia's Honey, Istanbul Library Review, Dudley Review (Harvard University) Sahara, Northeast Corridor and many others. He is the founder of the Ibbetson Street Press of Somerville, Mass, the cofounder of the Somerville New Writer's Festival, the curator of the Newton Free library Poetry Series, book review editor of the Wilderness House Literary Review, arts editor for The Somerville News, and the Boston editor for Poesy. He also teaches writing at Endicott College in Beverly, Mass. and Bunker Hill Community College in Boston. ![]() When confronted by a title like The Whole Enchilada you don't know what to expect, and the cover's
mysterious and smudged skull offers no clues. With a tabula rasa, I read the first poem, and simply
wasn't prepared for the onslaught of rueful wisdom delivered by this earnestly down and out poet.
Miller's wry observances of ordinary events—the drawer so stuffed with memories that you need to
wrestle it open, the plain and yet somehow appealing girl in the car outside your office window, and the
grim napkin summary of a life decidedly not well spent—amuse, bring pain, cut to the quick. No
wonder this chap won the Cervená Barva Press Chapbook Prize! I consider it one of the best chaps I've
ever read. And trust me when I say I've read about a million! Take the shopping cart and start the trip. Chaos, confusion and despair meet fantasy, imagination and introspection in Ryan Flaherty's Novas. His elegant writing style and unique slant on life can best be summed up by a line from the book itself. It's "A series of events lined up on the table and wrapped in language." It's all that, but it's so much more. Edgy, moody—not your ordinary chapbook. A must read! A story is falling apart in the dull one's mouth. Ryan lives in Dover, NH. His chapbook Live, from the Delay, is available from Small Fires Press. His poems have appeared in a range of journals including Denver Quarterly, Conduit, the New Republic, and Columbia. Life, death, birth, imperfection. Omnivore, by Allan Peterson, addresses all of these and more. Not to remind us that life is hard or that we are flawed. On the contrary! Omnivore assures us that in the midst of life's hardships, in the center of our pain, in the depths of our sadness, all is perfect. The Universe goes on. A beautiful little book, filled with the promise of hope on the horizon. Allan Peterson's work appears widely in print and online literary journals. He has published two award winning full length poetry collections and five chapbooks. Honors include fellowships from the National Endowment for the Arts and the State of Florida and ten nominations for Pushcart Prizes, along with a variety of poetry prizes and anthology inclusions. Visit his website www.allanpeterson.net “...then the future shifted Marvin Gaye sang There's always one who loves more than the other, and Sandy Green absolutely nails this theme in her first chapbook, Pacing the Moon. Beautifully presented by Flutter Press and startling in its imagery, this richly-textured collection is full of painful insights into humans at the height of our vulnerability. Sandy Green, a poet and children's author, has been writing fiction since 2004. Her work has appeared in Victorian Violet Press, Stories for Children, Grey Sparrow Journal, Ibbetson Street Press, Monongahela Riview, and anthologies including Chicken Soup for the Child's Soul. She was a 2008 nominee for Best of the Net and won honorable mention in Robert Brewer's Writer's Digest Poetic Asides Chapbook Contest. She lives in northern Virginia with her husband and two children. Visit her at www.SandyGreen.webs.com. From Pushcart Prize nominee Laura Rodley comes this exquisite collection of poetry. Here minnows trust the sky to bring them gnats, a young woman takes an impromptu road trip to Michigan financed by asparagus-picking money, a dearly-loved ancient dog noses the footprints of raccoons, turtles cross a busy highway to lay eggs, and a close friend loses her hair during chemo. In short, Rappelling Blue Light is about all the most sacred aspects of living, and the importance of observing, experiencing, and being. Perhaps the words “stunning” and “elegant” are overused; but perhaps they are not strong enough to describe Rodley's work.
“I lift to your lips Laura Rodley's poetry has appeared in the anthologies Crossing Paths, 911 Peace Project, Anthology of New England Writers, and in the journals Massachusetts Review, Sanctuary, The National Audubon Magazine, Boston Literary Magazine, and Quick Fiction, and has been read on WHMP, KVMR, 89.5 FM radio in Nevada City, California, and NPR-affiliated station WAMC in Albany. She is a freelance writer and photographer. In 2003 Jane Rosenberg LaForge's father was diagnosed with throat cancer, and her rueful recollections of a voice that wasn't just loud “but voluminous, plunging through a room with all the aplomb of a rock hurled toward a window” inspire us to re-learn with her the seeds of language, the origin of human sound, the words poets have left behind, and especially “the stuff that comes before words.” From nighttime radio shows where deejays held séances for Jim Morrison to stockyards where the cows went on forever, this beautifully-brilliant book is ablaze with savvy, style, and tender insights. It's not just that I can smell the salty ocean air and hear the gentle waves whooosh...shooooo on the shore when I read Emily Scudder's poetry... it's that I find myself transported to a place of closely-examined ennui, dissatisfaction, and desperation for just one hour alone - you know, the mental activities we all engage in but don't have the guts to 'fess up to? Scudder's writing is so honest, so relatable, so likable, dammit! I just want to hang out with her! But at the same time, this is a masterful poet who loves her husband and children, and who possesses an enviable, nearly Zen-like connection with Nature... a woman who appreciates the small, sacred moments of each day: The most noble emotion is love, of course. But where there is love, there is pain, and nowhere is this more evident than in Object of Desire by Carol Lynn Grellas. As stylish and sophisticated as the beauty who adorns the cover, this collection presents with warmth and grace each sacred moment of being alive—the blessings, the losses, the haunting image of an opportunistic fly loitering on the slack jaw of your beloved pet. Woven throughout is the story of a woman grieving for her mother; spending the first New Year's eve without her, waiting for an epiphany / or message sent by an archangel / telling us she's arrived at her destination. For me, the most powerful poem is “An Unexpected Toast,” which I have yet to read without choking back tears:
For the women who came before me To— To— To— The fourth time I read this poem it was to my mother, and I know we were both thinking of the other emotion that goes with love—gratitude. Mine is profound, and I thank Carol Lynn for the reminder. To purchase a copy of Object of Desire, please go to Amazon.com. As incredible as it seems, I didn't even know what a chapbook was when I first started this magazine. Then one of my favorite poets and our first Writer In the Spotlight Steve Meador sent me a copy of Pack Your Bags. I was so enchanted by the format and his presentation that a few months later I started a chapbook publishing company. From extreme poverty and a first theft to throwing a cat off the roof to see if it would really land on its feet (it did!) Meador brings us on a sweetly-nostalgic trip back to 1950s America. But growing up wasn't always carefree, and Meador also tells tales of whippings from a drunken father and the devastating effects of Agent Orange. Masterfully depicting high drama as seen through young but wise eyes, he succeeds in reminding us of our own childhood days, where the sight of a menstrual pad evoked a blend of curiosity and horror, and a miracle could be found as close by as next door: ~ "Meeting Daniel Boone" Pack Your Bags, and Meador's other chapbook, A Good Sharp Knife, were released by Pudding House in 2007. His first full-length book, Throwing Percy from the Cherry Tree, was entered by the publisher, D-N Publishing, for a 2009 National Book Award and Pulitzer Prize for Poetry. All can be purchased at hangingmossjournal.com. |